A drone shot over Southern California introduces this production, leading directly into Vicki Chase telling Charles Dera, "My next appointment isn’t until 5:00, you're good ... you might have time to make me cum twice." Dera rises to the challenge, and even gets in an orgasm of his own, right into Chase's mouth. Lilly Bell sees them in post-pop afterglow and drops the bouquet of flowers she was carrying, retreating before Dera and Chase see who it was.

At her home, Chase gets a call from a friend who was just in an accident, and invites her to come over. Chase awakes from a nap to see the friend—Bell—intently staring at her. Bell is studying to be a real estate agent to get a dream house like Chase's, telling her, "I want to be just like you. You are everything that I want to be." Chase rebuffs her kisses—"We can't do this, we work together"—and sets her up in the guest room "before we both do something we're going to regret."

Chase arranges a dream villa vacation for Jane Wilde and her absent husband as Bell brings in coffee and hovers over Chase. When Wilde video-calls hubby Robby Echo to tell him about the villa, he doesn't disconnect in time and she sees him enter a hotel room with Skye Blue and Tommy Pistol saying, "We were gonna start without you." Echo catches up.

Back at the office, Chase asks Bell, "Is that my dress? I'd rather you ask first," and when Wilde comes back, Bell flirts with her before Wilde goes home to hook up with hubby Echo in a sunlit scene with lens flares that looks like a Clairol commercial. With hardcore sex. When Chase comes home, she finds Bell ("What are you doing here?") regarding her with a dead-eyed stare, saying, "I have a present for you"—probably meaning the icepick behind her back.

Bell brings Wilde back to "her" place and seduces her, telling her, "You're the woman that I wish I was," disquieting Wilde and—in Chekhov's phrase—hanging a shotgun on the wall. When Bell drops in on Wilde and Echo at their vacation villa to "make sure everything's okay," Wilde wonders why she didn’t just call to check instead of coming in, and when Wilde tries to get her to leave, Bell hard-sells her on a three-way "or I'll tell your husband about us. One night, and I'll disappear. I promise." Wilde goes along: "7:00. Don’t be late ... and don’t be weird."

She isn’t late ... but after the three-way things get totally weird.

The episodic screenplay leaves some untied loose ends, but the long running time doesn’t short the sex scenes, and the masterful cinematography by Matt Holder keeps the eye engaged.