Rachel Cavalli is intrigued by plumber Zak Bishop, who came to unclog her sink but is willing to do some other plumbing with Cavalli. This gets the attention of step-brat Emma Rose, who captures their flirtation on her cell phone and threatens to rat Cavalli out to dad. A chase ensues, followed by Rose locking Cavalli in a back room and walking in on Bishop as he checks the sink, pulling down his pants and rimming him as he moans and gives himself a helping hand. When Rose bends him over and starts fucking him, he takes it in stride, but when Cavalli breaks out of the locked room, Rose runs off and hides and Cavalli picks up where Rose left off. There’s a lot of slapstick comedy in this light-hearted scene before it resolves into a one-on-one when Rose leads Bishop by the dick into a bedroom.

Tony Sting tells Janie Blade her open shirt and short shorts outfit is “revealing” and their conversation reveals that he’s trying—hard—to get out of her Friend Zone, and when she rhetorically asks, “Have we ever hooked up?” you know where this is going, especially when she says, “You will do everything I say, and I will fuck you.” Blade takes the lead, and when Sting finally gets Blade’s pants off, he starts sucking her cock without hesitation. True to her word, after oral preliminaries, Blade fucks him, topping him through the scene until Sting strokes himself to completion as Blade fucks him from behind. 

Dating is going badly, Lena Moon confirms to Siri Dahl, as Dahl laments, “What is it with men and hygiene? I’m so glad I’m into women.” Dahl goads Moon into kissing her and when Dahl pushes it, Moon goes along. Dahl is not surprised by what Moon is packing in her G-string, and the scene rolls along as a casual first-time fuck between longtime friends. In the closer, Lianna Lawson admits to tutor Pierce Paris that she hasn’t read the material, and she’s facing academic probation if she doesn’t pass this class. Sensing he's into her, she asks, “Are you flirting with me?” and after a quick dismissal of possible ethics problems (“I don’t mind if you break my heart”), they make the most of their mutual attraction. 

Helmer Ricky Greenwood brings his director’s eye to these loops, with creative camera placement and cut-in facial reaction shots and close-ups. Scenes time out at a trim 30 minutes, give or take, without time-wasting fill. A good introductory to trans material for the uninitiated.