A no-frills menu screen offering only FILM and TRAILERS as choices and a quick stylized stack of white-on-black credits fade to a slow drone descent onto Tiffany Leiddi sunbathing in a black V-neck maillot as the word TIFFANY floats indolently CGI'd onto the surface of the pool. Momentary shots of her taking a shower, washing dishes and lunching on fruit and wine lead the viewer to think this may be a porn remake of Jeanne Dielman until she turns to camera with a conspiratorial smirk and pulls down Ricky Mancini's bulging shorts, giving him a sensual blowjob while eyeing the camera with a don't-you-wish-this-was-you leer. Director Fred Coppula keeps the camera moving, moving down as Leiddi pulls down her top, canting the angle to get her whole body in frame. A new close-up on her grinning face pans down to show her inserting Mancini in reverse cowgirl. Coppula focuses his camera on Leiddi throughout the 36-minute scene, treating Mancini as an anonymous prop.

Tina Kay gets the same day-in-the-life treatment until she gets face-to-dick with Joss Lescaf when she leans out of her tub. Coppula follows the same winning program in the sex scene: stay in the same place, keep the camera moving, cut out the transitions, focus on the girl and her pleasure, this time avec anal.

Lola Bellucci heats up a ski chalet, Anissa Kate throws in a skinny-dip and takes on two guys, and Dorcel stalwart Cléa Gaultier is featured the last two scenes, first a one-on-one with Mancini, and then an all-girl all-skate with Bellucci and Leiddi where all three vie for the camera's attention as well as each other's.

Coppula's stylish camerawork adds an extra element of interest here, focusing on faces as well as sex acts and keeping the females front-and-center, playing directly to the viewer. Recommended.