Romy Indy flies into Barcelona "to meet three people, and then fly back home," the narrator dispassionately reports as we watch her in the back seat of her ride, stripping down and dolling herself up under the watchful eye of driver Juan Lucho.

First stop, banker Nick Ross's penthouse apartment, where Ross is unaware that Indy is not the call girl he requested but an operative who intercepted his text message and swipes a critical document, hiding it in her lacy red underwear—the first thing she ditches when they get down to business.

As the sun sets, Indy moves on to the suburban villa of clueless twentysomething heir Tommy Cabrio and his wife Cléa Gaultier, where they are celebrating their first anniversary. Indy disguises herself in a servant uniform, the better to sneak around undetected and electronically pilfer more secret files. Gaultier catches Indy in the act and covers for her, whispering, "Get undressed," and having Indy serve Champagne in her lacy undies—and then serve as dessert for the celebrating couple.

As Lucho gasses up the car, Indy texts galpal Ginebra Bellucci, leading to a quick drink and a remember-when flashback of the two in and around a sunlit pool in Thailand—and then Indy chloroforms Bellucci and deletes her texts. No loose ends. But on her way back to the airport, Indy finds that she didn't steal all of the pages from Ross and has to go back. She sneaks in and finds Ross hooking up with another call girl, Lina Luxa. Indy conspires with her, getting her to blindfold Ross so she can swipe his keys—but he spots Indy and a diversionary three-way ensues (avec anal) before Indy can swipe the keys and skip with the rest of the document.

Finally on her way to the airport, Indy changes back to her traveling clothes and stretches out for a nap in the back seat. When Lucho goes back to cover her with a blanket, she repays his kindness before asking for a visit to the beach in the pre-dawn twilight, enigmatically telling Lucho, "Now, I'm free," before taking her flight back home. 

Masterful night-lit cinematography and star turns by Dorcel regulars Gaultier and Bellucci add value, and relative-newbie Indy shines in the spotlight. Condoms make the sex seem more casual.