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I Fucking Love Berlin

I Fucking Love Berlin

Released Jun 03rd, 2020
Running Time 253 Min.
Director Proxy Paige
Company ZoZo Productions
Distribution Company Evil Angel
Cast Brittany Bardot, Proxy Paige, Alysa Gap, Angelo Godshack, Michael Fly, Megan Inky, Jolee Love, Damien Soup, Fraulein Schmitt
Non-Sex Roles John Stagliano
Critical Rating AAAAA
Genres Gonzo, Editor's Choice, Foreign - Non-Narrative

Rating

Synopsis

Fun-loving director Proxy Paige features extreme anal sex and more raunchy shenanigans in the crude chronicles of "I Fucking Love Berlin." Raw, documentary-style footage captures Proxy and friends on a wild, hellacious, four-day road trip, engaging in risky public nudity, debauched orgies and crazy double penetration. The party climaxes with an outrageous sex show at decadent Club Insomnia!

Reviews

After five minutes of chatty travel footage, Brittany Bardot gives Damien Soup a backseat blowjob on the road to Berlin—after he's been hanging his dick out of his pants ever since the group landed in Prague. The scene, recorded on cell phones that are visible in the reverse shots, sets the tone for the four hours plus that follow: Gonzo-casual European travelogue, with sex. Here, director Proxy Paige stoically driving as recorded on a dash-mounted phone camera, Megan Inky in the front passenger seat shooting back with her phone camera, Soup and Bardot fucking in the back seat, passing a phone back and forth. When Bardot, piqued at Inky's non-participation, snarls, "Come back here and fuck me, you bitch!" Inky turns around and responds with a fist. Right up to the wrist.

After some settling in at the location rental house and a group restaurant meal dressed in Evil Angel gear with John Stagliano, Paige gets involved in the next scene, a meandering hour-long eight-person orgy (putting the massive orgy scene at the end is so '70s) that starts in the car ride back from the restaurant and fucks its way through the house in pairs, triples and groups, with Stagliano observing and then grabbing a camera and shooting solo and girl/girl footage with Inky and Bardot until some guys come in from another room. When everybody gathers in one room, on one large bed, shooting each other with their cell phones in mid-fuck, Stagliano observes, "I think I’d like to go wider," while Paige disentangles herself and says, "I should be doing paperwork right now," before she grabs a camera and gets back to Job One. Plus some fluffing.

The next morning, Paige takes her camera and sends Alysa Gap and Inky to a quiet three-way with Soup, starting with an impromptu deep throat contest, then Gap and Inky wake up Angelo Godshack and Michael Fly with good-morning blowjobs as Paige runs camera. This scene escalates to d.p.s and double anal on Inky (plus the return of Soup, back for more), and as it is winding down, newcomer Jolee Love walks in on them, along with Bardot. Bardot takes her leave with Inky and Gap and Love takes over, pleasured by the three guys as Paige purrs, "Enjoy the chaos," which eventually ends with Paige sucking a cream pie out of Love's pussy and sharing it with her. The camera then joins Bardot, Inky and Gap and we see the g/g/g that broke out when they were alone, with toys and Bardot getting fist-d.p.'d.  

The next day starts with Gap, Bardot and Love getting dolled up in glam makeup and lingerie and heading out to Berlin swing club Insomnia. Bardot doms Gap and Love, flogging and fingering their asses, shoving a doubleheader in their mouths, fingering Gap's asshole wide for a monstro jet-black dildo, putting Gap and Love back-to-back on all fours, connected ass-to-ass by the doubleheader. When the tables turn, Love and Gap d.p.-fist Bardot as her howls echo through the deserted club. After a greatest-hits interlude with a live performance in front of a club full of patrons, the scene shifts to a trade show where Gap and Soup casually fuck in the back of the booth, then we're back to Insomnia where Bardot performs onstage with Fräulein Schmitt, with d.p. fisting and squirting. 

Informal setups, plus tight close-ups and use of cell phone cameras, add to casual you-are-there feeling, and first-rate editing by Scott RR Driscoll keeps the eye captivated for four hours. Highly recommended.



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