Riley Reid and Teanna Trump romp in their underwear by the Sepulveda Dam at sunset, sharing a bottle of Champagne as Trump exults in voiceover that they do what they want and they don’t care what you think about it. At the moment, what they want is to break into Mick Blue's house. They are jumping on his bed when Blue storms in, bellowing, "What the fuck are you doing in my house?" His fury subsides when Trump coolly tells him, "We came to fuck the shit out of you," and they aggressively start to double-team him, with Trump straddling him and dry-humping his face as Reid grabs a bottle and squirts lube in all directions. When they get his pants open, he gets a blow-and-foot job as Reid warns him, "You better not cum yet." At scene's end, after they share a sloppy kiss, they push him back on the bed, fist-bumping each other as they leave, triumphantly naked. 

Natalia Starr, on a beach at sunset, muses in voiceover that her momma told her the way to keep a man is to feed him well and fuck him well. The object of her affections is Johnny Sins, and she pushes him down on the sand and starts sucking him, making intense eye contact, right there on the deserted beach. She follows the rest of momma's advice by bringing him breakfast in bed before getting back to Job One, with loud, theatrical dirty-talking.

Anya Olsen, in red lingerie, assesses herself in a mirror: "I'm a material girl ... so naturally when I'm looking to date a guy, money is a factor." Day trader Markus Dupree, tapping away on side-by-side computers, is her kind of guy because "either way, he comes out on top." When he tells her to come over, she complies immediately, without wasting time covering up. They meet on his high-rise balcony and get started right away, her fluffing him to rigidity, him taking her from behind as she props one leg on the railing before they repair to a bed for horizontal coupling.

Closer has Liya Silver at a hilltop Mykonos hotel with infinity pool, sadly alone because her boyfriend has to work and nobody's here because it's the off-season, which she explains in Russian voiceover (thankfully subtitled). Fortunately for her and the viewer, Christian Clay is also there to mitigate her lonely state. The scene moves deliberately, in no hurry, as the camera takes in the scenery as well as the players. 

Well shot scenes with professionals on both sides of the camera.