Scripted and helmed by a woman, this is a frank, unapologetic celebration of female submissiveness. “I will surrender to your will and always remember who I belong to” is the theme running through the three vignettes.

In “The Date,” Emily Willis, with perfect makeup and attire, is picked up by two well-dressed men (Charles Dera, Danny Mountain) who take her to a limo and put a paper bag over her head. They pull her nipples, choke her, treat her like property. Willis looks stunning and the men’s dominating movements seem almost stylized. Everything is formal but fierce. Emily is as passionate as the men are controlling. “I deserve your cum, please,” and they both shoot in her mouth.

Next, “Coming Home,” in which Casey Calvert, dressed like the perfect American homemaker, cleans her house methodically. She keeps a pet—a human one: Whitney Wright, in black vinyl. She laps up cream from a bowl on the floor and follows her around on hands and knees. When their master Seth Gamble comes home after a long day at work, Whitney snuggles up to him. “Have you been a good kitty?” he asks her as they make out. The women take turns sitting on his cock. Cum swap and “Thank you daddy.”

“The Secretary” is essentially a hardcore tribute to the mainstream film Secretary. Jill Kassidy caters to her boss’s every whim, which includes sex, fairly rough, on demand. Derrick Pierce is the cold, commanding man she is so eager to please. All the actors are perfect and everything springs to life under the really excellent direction of Bree Mills.