Rebecca Lord is billed as the star, but it's newcomer Chrissy who nearly steals the show, with two scenes back-to-back. The first is her gonzo-style pinch-hit "audition" with Jon Yuma. Chrissy is cute and fresh, and soon after she proves her oral talents on Yuma's cock, she's onto her second scene: a massage scenario with Dick Nasty. Here, her tendency to stare into the camera, or the window, or wherever she might see a reflection of herself while she fucks, can get distracting - even the director comments upon it with a snarky caption.
The rest of the tape is far more arty in tone, especially the opening scene, titled Latex & Lust (each vignette has a title), with Taylor St. Claire in full-body gold latex paint, getting down with Michael J. Cox in and industrial setting. It's definitely hot when he rips the latex from her breasts while she straddles him reverse cowgirl-style; soon, the latex is in tatters. Another interlude is Still Life with Rumika Power, which gives the phrase "pretty as a picture" new meaning. Lots of digital effects and atmospheric transitions, along with an MTV-style emphasis on the music.
More mainstream, and definitely steamy, is Hot Girls Hot Cars, with Haley Hunter as a mechanic into vintage cars, blowjobs, and anal sex. And Rebecca Lord proves her star status in the closing scene, Rebecca Needs to Fuck, when she jumps Michael J. Cox and takes his big tool up her sphincter after warming it up in her pussy. She's ferocious and hot to trot from beginning to end.