Released | Dec 26th, 2018 |
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Running Time | 173 Min. |
Director | Manuel Ferrara |
Company | Jules Jordan Video |
DVD Extras | Cumshot Recap, Still Gallery(ies), Trailer(s), Widescreen |
Cast | Manuel Ferrara, Adria Rae, Ivy Lebelle, Canela Skin, Cecilia Lion |
Critical Rating | AAAA |
Genres | Gonzo, Marquee |
Three hours (give or take seven minutes) of up-close-and-personal sex with Manuel Ferrara, with substantial anal and POV.
Adria Rae teases Ferrara through his pants, but he impatiently ups the ante by shoving his thumb straight to the A. She backs away and starts diddling herself with a clear dildo, setting up the cat-and-mouse dynamic for the whole scene, which looks like it will be all oral until he inserts as they're on their way up the stairs.
Cecilia Lion, lounging on an Eames Lounge Chair (points!) is inspired by the book she's reading to do some digital self-exploration before dozing off. Her reverie is interrupted by Ferrara's POV camera. He explores her as she sleeps and then she wakes, casually telling him, "I wish you were here earlier," and opening his pants, grinning, "That's what I was dreaming of." In the scene that follows, Ferrara's burly physique is a marked contrast with the petite Lion, but she gives as good as she gets. No anal, which may disappoint some viewers. Maybe next time.
Ferrara slams his computer shut as Ivy Labelle enters the room, and when he interrupts their canoodling to take a quick shower, she opens the computer and finds Ferrara's lengthy hotel room encounter with Canela Skin, complete with locked-off sequences complementing the hand-held POV shots, which include her POV of him eating her before he takes back the camera. When the Canela Skin scene ends, we return to Labelle watching the scene still in progress, fingering herself to climax before changing into black lingerie and fishnets as the camera watches each move. When Ferrara comes out of the shower, she's on all fours, purring, "I want you to fuck me like that," and he does in an energetic, enthusiastic scene—with her facial expressions reflecting every burst of pleasure—closing out the production on a high note.
Ferrara shows a knack for the eye-catching shot from frame one, panning up from his bare feet to Adria Rae in negligee tippy-toeing down a narrow staircase and approaching him, and the scene-within-a-scene business in the second half has creativity as well.