Four scenes with the POV shifting between that of the guy in the scene and a regular view, in some cases shifting in the middle of a shot. Cherry Rose gets into it with Dillion Day, looking straight into the camera and grimacing with pleasure as Day pounds into her. Ryan Meadows is bemused by the premise when Iron tells her that she'll be doing thousands of guys, all watching her with Pat Myne. She throws herself into the scene, too. The POV shifts to that of a dog to introduce Marci Mark, but thankfully her partner in the scene turns out to be Iron. The low-to-the-ground POV is an interesting diversion, as is the girl's-eye-view of the pussy-eating. Sugar Kane shows off her dancing before she shows off her ass ("It's only 18. Last year you couldn't even look at it.") and when she laments that she wishes she had a cock around... one pops up.

Iron deftly shifts from first person to third person, creating the illusion of both watching and participating. Excellent third person shots with faces in the frame keep the eye interested between the you-are-there shots.