Four unhappy housewives confess their frustrations with their husbands and show how they deal with them.

After a leisurely striptease, Christie Stevens admits to camera that she's horny lately because her husband can't satisfy her, and she really wants to get fucked in the ass, and shoot a video showing her husband how to satisfy her. Step one in the Please Christie Agenda is apparently "Be Ricky Johnson," because that's who steps in for the instructional video. Stevens drops to her knees, and after her lengthy blowjob, he starts in on her nether regions, fucking pussy and ass with equal fervor as she encourages him with gasps and yelps before the facial finish and the close-up of Stevens' jizz-spattered face saying, "Honey, I did it all for you." Let's hope Hubby gets the message.

Sheena Ryder confesses that she has the seven-year itch as she watches Van Wylde with his wife in the background, and vows to seduce him. Wifey leaves to run an errand ... but returns unexpectedly in the middle of the blowjob. Fortunately the kitchen counter blocks discovery and they retreat to another room to continue on a white sectional couch. Ryder likes the anal attention ("My husband never does that") and gives Wylde frequent oral encouragement, vocally and otherwise, until she declares, "I'm cum drunk ... what day is it?" and kneels down for a facial, demanding, "Give it to me!"

In her kitchen, Sarah Jessie waves bye-bye to her husband before cooing "I need a handyman because a lot of things need fixing." Enter Alex Legend, screen left. She entices him to eat her right on the counter before she returns the favor, and the entire scene takes place in the kitchen, including the postscript where she talks to hubby on the phone with a face full of spoo.

In the closer, Synthia Fixx tries to entice husband Ramon Nomar but he isn’t buying ("I have an important meeting tomorrow"), so when Nomar rolls over to go to sleep, she calls Toni Ribas to fill in, which he does in a quick, playful, furtive scene with Nomar dozing nearby.

Engaging camerawork—with Dutch angles and close-ups of faces—and energetic editing that keeps the pace rapid as it hops between points of interest add value.