After the meeting of "Women Survivors of Divorce" adjourns, Gwen Summers is approached by Ashlyn Gere, who suggests that the two get together to discuss the "men" situation... and before Summers knows it, Gere has invited her along to scout out some action, which takes the form of warehouseman Evan Stone. Gere propositions him, and in moments, both gals are lying on a pile of cardboard and pallets getting their pussies licked. Shortly, Gere is the recipient of doggie, Summers rides him reverse cowgirl style, then both get plunged missionarily while lying side by side, ending in a cumshot to both their mouths.

Since we're dealing with the mind of Antonio Passolini here (or someone extremely close to him, since the script is credited to "Maria Passolini"), it shouldn't come as much of a surprise that Summers finds herself attending the first meeting of "Club Sin," and being introduced by Gere as its co-founder.

"The first rule is you don't talk about Club Sin," Gere states... at which point, anybody who's seen the mainstream film Fight Club will think he/she knows this feature's end. Fortunately, they're wrong.

But Club Sin is dedicated to women's-choice fucking, and Gere lets Shay Sights have first pick of some eligible studs. She selects the (uncredited) Nick Manning for a hot mish/doggie/reverse cowgirl romp on a circular bed.

Some of the women haven't paid attention to Rule 1, however, and there are too many new faces at the second meeting, so Gere proposes a "fuck-off" between newbies Kiki Daire and Brooke Hunter to see who can make her guys (Cheyne Collins and Ian Daniels for the former; Dillion Day and Chris Cannon for the latter) last the longest. It's one hell of a contest - good enough to earn a pre-nom for Best Group Scene - as each gal gets d.p.'d after plenty of mish, cowgirl and doggie.

But Summers becomes disenchanted with the club and decides to pick her own partner: Gere. The busty brunette accepts the challenge and the two wrestle each other to the club's vinyl mattress, with Gere biting and pinching Summers' nipples before diving for her muff. After a few moments, Summers throws Gere off and indulges in some pussy-licking herself before bringing out and inserting the hardware. Gere snatches the dildo and sucks on it, but it's quickly back in her lower hole. The pair then share a doubleheader toy, but before long, Gere's strapping on her strap-on, which Summers licks before it's inserted in her doggie style. The intensity and heat here are palpable; enough to earn another pre-nom as Best All-Girl Scene.

But the heat just doesn't let up. Now that Summers has bolted, Gere picks a new partner for the club: Chloe, who dominates Pat Myne with a long reverse cowgirl ride, then commands doggie pounding, some piledriver action and sidesaddle that falls into spoon position, with Chloe doing most of the sexual work before the splooge to her mouth. Call this a Best Couples Scene pre-nom.

Finally, the whole club revolts, forcing Gere to take on three studs for reverse cowgirl, doggie, mish, hand and blowjobs, with that patented Gere sneer ever-present. For this scene and everything else, score her a Best Actress pre-nom.

What none of the above shows, however, is the top-notch music and art direction, both courtesy of director Passolini. Everything from the sometimes techno, sometimes very approachable beat to the omnipresent patent leather and vinyl have Passolini's name written large (if figuratively) all across them. Pre-noms for both forms of artistry.

All told, this is one hell of a tape; certainly among Passolini's best, so score him a Best Director nod, and a Best Video pre-nom for Club Sin.