Two scenes featuring the previously unflogged bookend a well-done scene featuring a master and his slave. The first and last scenes are amazing, both of which feature women reduced to pathetic snivelers. Their torture is both physical and psychological, and both Gillis and Eveready are masterful at controlling the game.

Women need to be reminded from time to time that they're whores, and no one does this better than Jamie Gillis. Gillis does not hold back in his super-cruel scene with 23-year-old Daisy Starr, a pimply-faced newcomer to roughhousing. She laughs nervously as Gillis slaps her around, grabs her ample natural breasts until they turn red, and spits on her face. After she just can't take it anymore, her smile turns upside down, and she bursts into tears. Gillis plays her like a ukulele; changing the tune slightly each time she nears the edge. His slap-schtick is nonstop, chatty, sometimes comedic, punctuated by repeated slaps to her face, and the scene is giddy and riveting.

Tony Eveready cuffs a strong-willed Kami to a chair, and breaks her down until she's bawling and begging him to let her go. But before freeing her, he tells her she has to cum, and the amazing transformation from tears to ecstasy transpires.