Robert Madison is a talented director (his Cellar Dweller 3 was nominated last year for Best Sex Comedy) with a notably wacky porn vision, but his latest effort is only marginally above-average sex-wise and annoyingly fast- forwardable humor-wise.
Set against the backdrop of a psychedelic-like candy factory (think a porn version of Willy Wonka and the Chocolate Factory), the tape's zany shtick (a Hula Hoop scene, a toy instruments scene, etc.) seems amateurishly fly-by-nightish and simply not very funny (unless, perhaps, one was under the influence of certain substances).
Some of the sex is an improvement, but except for the closer, nothing really to write home about.
The opening fourway, featuring newcomers Kinky and Shy, is half-baked except for the nasty scum-swapping finale. That's followed by Erik Everhard burning his abs but good by power-plowing Kaylynn's pussy and ass on a swinging bed (the mobility of which Madison uses to interesting visual effect, such as having Kaylynn's delectable derriere swing back and forth into the camera's face).
Big-titted, pig-tailed Patricia is very loud, as she takes on Everhard and Chris Cannon in the fairly well energized scene three. Next up is a negligible threeway in which baby-faced Kitty is briefly d.p.'d - very briefly; one minute to be exact - by Bobby Vitale and Dillion Day.
Madison clearly saves the best for last as, in the closer, Kaylynn, Goldie, Kitty and Patricia take turns ganging up on each other's cunts with fingers, tongues and hardware. While the scene radiates the tape's most sustained heat - pre-nom it for best All-Girler - Video - it's too little, too late.