This moody feature unfolds with minimal dialog and maximum style, courtesy of beautiful camerawork, lavish sets and an international cast that includes first-rate American performers. The titular baron is a Brit named J.J. who holds sway over a “porn empire,” and we see him in the past as well as the present. The first scene is a simple flashback to a photo shoot with J.J. (Clarke Kent) and an eager new model (Valentina Nappi).

The second scene is more complex. Kent rides in his limo to a fetishistic sex club/brothel; Amarna Miller proceeds to blow him, and meanwhile Samantha Bentley has her hands full with Mike Angelo. Their scene is slow and erotic, kicking into gear once Angelo takes off Bentley’s panties and stuffs them into her snatch, pulling them out with his teeth before putting the damp fabric into Bentley’s lubricious mouth.

Then we’re back at the baron’s place, and Dani Daniels has cooked up a birthday treat for a blindfolded Ash Hollywood. After Hollywood blows out her birthday candles, she moves on to Angelo’s upturned wick. Soon Daniels joins in, revealing that she’s got a pink cock of her own nestled in a black harness. Still blindfolded, Hollywood takes both rods before the blindfold comes off—and so does the harness. The women ride Angelo like a seesaw on a brocade couch in this visually appealing scene.

Even better is an orgy scene that Daniels shows to the baron. “JJ, do you remember when you said I could direct a scene?” she says. The footage shows Yanick Shaft (aka Ian Scott), Mike Angelo and Billy King on a bed with Tiffany Doll—and luckily for the viewer, Daniels just can’t stay out of the action. She grabs the cocks and fluffs them up a bit. “Good. That’s more like it.” Daniels also considerately gives King oral while Shaft and Angelo double-penetrate Doll. Then Daniels rides Angelo in cowgirl, her butt bouncing gloriously as she effortlessly draws the camera’s focus. Great angles and pristine lighting turn the screen into a sensual canvas of flesh.

Though this scene is undeniably the standout, director Gazzman keeps the style high for the final setup, a shadowy scene in a sex club, also featuring Hollywood. Both she and Chintya Doll wear masks for a three-way with Shaft.