This long-running lesbian series of mother and daughter exchanges has it down pat. Four actual scenes of girl/girl romance and lust are connected by emotional expressions of hesitance, light mental angst, and trepidation that often reappear after the action is completed. Mind games.

Seduction is also key, but often, as when Hayden Knight and busty Raquel Sieb flaunt their pussy fondness, it is like putting a steak before a starving woman: They devour one another and still keep it slow and leisurely and explore every accessible inch of one another’s body. Sieb’s daughter Hope finally gives in to Magdalene St. Michaels’ seduction and joins the ranks of girls into girls.

And so it goes with these and other scenes (Syren De Mer/Trinity St. Clair and Shyla Jennings/Zoey Holloway), which emphasize lesbian fun and games as imagined and plotted by gentle folks likewise into this form of same-sex entertainment.