As soon as he hired new cameraman and editor Tony DiMarco, Michael Lucas was excited: "He is the best one I have ever worked with. He has a totally different style, and right away also adjusted to my style and the way I look at and film sex. He brought it to a different level. It's much more beautifully shot-he's great with lights. Lost is totally different: beautiful lighting, and the whole feel of sex is different."

Lucas was right on target. From the opening frames of Lucas lost in thought while driving into Manhattan to the beautiful orange hue that surrounds the opening threesome, there is more of an artistic eye to Lost than any of the company's previous entries. The effectively slim story revolves around Lucas and lover Luciano Haas as they struggle to make things work. There's little dialogue, but lots of sex.

The first scene has Lucas cheating with Wilfried Knight-the beautiful, hairy French-German-and Alex Clark, a smooth Brazilian with a shaved head. Like all of the scenes here, this one flows like liquid: unforced and realistic, with a steady, natural soundtrack of moans, slurps, and smacks. Both Knight and Clark open up their asses, and a nice fuck-train is the highlight. Pre-nom best Threesome.

An outstanding group scene featuring the whole cast (except Lucas, Haas, Clark, and Christophe Blanc) follows, with Chad Hunt's monster cock serving as the centerpiece for the action. The heat from Hunt, Knight, and the gorgeous hunk of English beef that is Richard Black keeps the action moving with passion (watch for the nice fuck Hunt delivers to a moaning Black). Newcomer David Cody also makes a nice impression. Pre-nom Best Group Scene.

Black and Haas bottom for Knight and Blanc in a hot hotel-room encounter, while a romantic conclusion finds lovers Lucas and Haas making up.

It should also be noted that Lucas has lately become a contender for the King of DVD extras. There's a quick behind-the-scenes feature, photo shoots, and watersports segments. But the real gem is a full 90 minutes of cast interviews. Lucas interviews five models (the Richard Black interview is the most fun), and a group interview of the whole cast led by writer/production manager Alex Poole (there's a reason Lucas lets Poole show up in extras: He's one hell of a handsome, engaging guy who fans undoubtedly would love to see perform).