Four of porn's top directors (Wash West using his Bud Light alias) each contribute a vignette to this four-scene anthology. The most innovative and exciting is Light's two-part Aquarium. In the first section, to dreamy Saint-Saens music, intricately edited highlights of a Tag Eriksson/Paolo Cortez sex scene in an arty pavilion are shown in slow-mo. After cum-shots, the beat becomes more frenzied and the complete scene is then shown at normal speed. Both men are extremely attractive and well-hung, though Paolo seems to have a couple inches on Tag (it just won't fit all the way in Tag's mouth). The big news is Tag is bottoming!-and there's plenty enough room in his ass for Paolo's biggie. Michael Zen's contribution, Freak, is a well-shot bizarro leather-scene with Brad Benton and Marcus Iron that jumps from B&W to color. Strangely similar is director Thor Stephans' Leather Lust, also with segments in B&W. Husky Buck McCall appears out of Brandon's dream for sex in a stylized dungeon. Buck looks particularly fetching naked in leather chaps, and Brandon comes will being fucked. Like Zen's, this also has a sort of Twilight Zone ending. What most fans will go gaga over, however is the appearance of Ken Ryker, whose much ballyhooed return to porn in his own productions has resulted in only two movies so far. This scene for Jet Set was directed by Gino Colbert who teamed Ryker with hot newcomer Cody Cash who looks as if he's never had more than a tongue in his ass before. Amazing how forgiving the anal sphincter can be! Ryker bones Cash with all the energy he's famous for and Cash takes it-all-like a man. After Ryker comes, Cash j.o.'s onto Ryker's flaccid cock. The finale is Ryker pissing into a toilet with Cash kneeling at peehole level to get a good look, then squeezing out the last drops.