Vol. 172 is from the sub series entitled Helping Hands. Each scene begins as a solo, but then there's a knock at the door and the helping hand arrives in the form of a faceless performer whose sole function is to jerk off the horny Marine. Though at first glance the cast appears much like the typical DYPC talent, it soon becomes obvious that they have been selected specifically because of the way their cocks look: impressive. The target audience would be customers who fantasize about servicing a sexy serviceman who just lies there and enjoys. While this might appear boring to some viewers, there is a definite demographic being accommodated. Rex is a real hottie.
Vol. 173 begins with well-known porn diva T.J. Hart waiting for the troops. Five Marines and another girl, Jade, trickle in. Ms. Hart sucks cock and fucks like a pro, but even she has problems accommodating everyone at once, so the choo-choo jumps the track, and the guys pair up as well. The full-blown orgy also contains some lesbian sex and some Marine-fucking-Marine action. Sometimes the lighting is inconsistent, causing a blackout where one would like to see action.
Vol. 174 has a few problems. The premise is great: Throw four straight Marines together and hope for the best. While they are jerking off, the cocks stay hard, but the sound is very muffled, and much of their playful banter is incomprehensible. When the fucking starts, or more accurately, when the fucking is attempted, the dicks go limp. The Asian Marine is a fine specimen.
Vol. 175 is a straight tape with three scenes. First, Chloe and Tina Tyler take on a pair of guys and give them the times of their lives. Chloe is very vocal. She's a tough act to follow, so when Shelby takes the stage with her guy, the action gets tepid. Finally, newcomer Lela, a gamine who at 5' 11 is a tall drink of water, tumbles a pair of Marines, including the big-dicked Lance. Director Yates utilizes multiple cameras to capture the action, and in post-production sometimes inserts footage of the long shot in its own window, while a close-up draws the viewer right into the action.
