The last two of five black/black scenes are definitely the hottest. Slightly goofy-looking kid Sho nuff (in Playboy-bunny print pajamas!) is jacking giant joint when stud Killa arrives. The kid fucks the stud’s face until Killa is dripping sweat. They both sweat plenty when Sho nuff gets on him, bling swinging, and gouges his gut-end in the movie’s most fabulous fuck. (You’d love to see someone get into Sho nuff’s snappy little slit, too.) He unloads a literal pile of cum on Killa’s tired face. On a big, black, L-shaped sofa, big, black 30 considers big, black Star’s plea to suck his big, black dick "extreme," but "We might could work somethin’ out." They work out him getting sucked, then turning Star right around to stick dick into him with one stroke. Star comes and comes and comes onto his own chest. Three earlier scenes are afflicted with incomprehensible dialogue, camera or air-conditioner noise, shaky camera, mattress-creaks louder than the dialogue, and exclamations of the "N" word – but also have handsome, historically-hung black models giving their all – and taking each other’s all. Their "alls" are long, hard, and often thick. Thick is the word for smooth, collegiate Jovonnie’s cock. Like most meat in the movie, it’s too long to dream of deep-throating. He and Boy sixty-nine, then suddenly Jovonnie is deep in Boy’s jelly-spot and jamming. His swinging balls are pink, and his tiny ass gapes and slaps shut with each thrust he makes up Boy’s brown butt. Redd and towering Shaft meet in a laundry room, then Shaft rims and rams Redd’s fuzzy, purple flue on an insecure settee. Jovonnie, with his long, sharp sideburns, returns to raunch slim, pale Legend’s loophole on a sturdy bed.