Released | Jun 01st, 2005 |
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Running Time | 102 |
Director | Max Lincoln |
Company | Eurocreme |
Distribution Company | Hot House Entertainment Inc. |
Cast | Sherman Ash, Darian Hawke, Stefan Andersen, Erwin Van Den Broek, Reece Richards, Christian Aster, Ben Taylor, Brace Levitt, Aaron Jones, James Alexander |
Critical Rating | AAA |
Genre | Gay and Bi |
Spike (James Alexander) is a British twink with a skateboard and a dream-to win the big competition. After his opening J.O. scene, the energetic Alexander meets up with cute skate-bud Fuzz (Darian Hawke) for some light shoplifting. When they are caught, hot cop Ben Taylor frisks and strip-searches the partners in crime. Store owner Sherman Ash forces them to pay the price with a steamy fourgy in the backroom. After sucking and rimming, the guys manage a difficult double-fuck. Spike and Fuzz eventually make it to the train station and arrive in Amsterdam for the contest. But first they have sex (including double penetration!) with a little Dutch boy (Erwin Van Den Broek) on his houseboat. Next, the youths decide to buy some pot from bartender JJ (Aaron Jones), who shares much more when they all go back to his squatter's loft and get busy with his roommate (Brace Levitt). This foursome tends to drag, but director Max Lincoln manages to work a skateboard into the fucking sequence in a very inventive way. The newbies then venture to the red-light district and hang out at the Cockring bar, where another bout of nicely edited group sex ensues. Picture quality is good but some of the lighting is less than flattering and, overall, the colors look faded. In the seventh and final sex scene, Spike and Fuzz realize they are much more than friends, thanks to a busted skateboard that almost ruins our hero's chances at victory. This is a silly and trite ending to a disappointing effort. As usual with this series, if you don't like the leads you're out of luck, as they appear in almost every scene. Production values are fine but don't seem as high as in other recent Eurocreme releases. And the voice-over narration, delivered in an indecipherable mumble by the thickly accented Alexander, made us wish for subtitles.