Released | Jul 01st, 2004 |
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Running Time | 83 |
Director | Doug Jeffries |
Company | Studio 2000 |
Distribution Company | Paladin |
Cast | Luciano Haas, Jay Ross, Marcus Allen, Ace Hanson, DC Chandler, Arpad Miklos, Tag Adams, Chip Noll, Rafael Alencar |
Critical Rating | AAAA |
Genre | Gay and Bi |
It's been two years since DC Chandler opened up his hole-a first-for Ace Hanson in Working Stiff. He does it again in the finale of this sequel and also gets to turn the tables, boning top-only (until now) Hanson. There's a little bit more chemistry this go 'round. Hanson gets Chandler moaning as he fucks him on a table, then lets out an, "Oh God?" as he bites his thumb when Chandler fucks him back. "You all right?" asks Chandler upon entry. "Yeah? push it in, baby." Hanson has a nice smooth chest/hairy chest combo with Tag Adams. (Lots of kissing and rubbing, and Adams is his usual enthusiastic self.) Rafael Alencar brandishes his mammoth cock for Luciano Haas to suck on. Haas really tries to cram it all in his mouth, and some of the shots really capture the beauty of Alencar's dick (especially the side shots when Alencar is standing). Alencar doesn't spare one inch as he pounds away, then caps off a hot fuck by licking his own cum off Haas' back. In a fourth scene Marcus Allen joins Arpad Miklos and slaveboys Chip Noll and Jay Ross in a fourway that has Ross perched atop a wheeled cart, sliding his ass all the way on and off Miklos' big uncut slab-and some beautiful bird's-eye shots capture it all.
Marketing: Hot movie, hot cast. The cover boys on this box will ensure popularity; stock well.
-Brady Jansen
THE AMERICAN CITY
IOP/Global Media
D: Kevin Clarke. Caleb Andrews, Alejandro, Viper, Scarface, Johnny Biddulph, Charlie Moore, Adam Barrera, Mat Newmark, Alan Jones, Randy Knight. 106 Min.
AAAA
DVDTwinkmeister Kevin Clarke and Latino Fan Club's Brian Brennan join forces on this New York City production that combines Clarke's youthful performers with Brennan's macho 'Ricans. Both men are responsible for the videography, but director Clarke calls the shots in this superbly photographed movie. The giant close-ups that Clarke is famous for are here in abundance. The size and crystal clarity of these shots-dicks as big as your forearm, butt-puckers as big as your fist-are absolutely thrilling. Each of the five segments is titled and scenes are connected by footage of the models on the streets of New York which gives City a dynamic reality/documentary feel. If Clarke never directs another sex scene, his reputation is assured by the Johnny Biddulph/Charlie Moore opening duo. These lads with the hairy ass-cracks, unshaved balls, and thick pubic thatches have the most authentic sex we've seen in ages. They're excited by each other and we can see it every step of the way from kissing to cum-shots. What's more, we actually see Johnny lubing Charlie's ass and fingering it to slick it up, and then rolling-on a condom. The giant close-ups are especially effective in this scene, especially the over-the-shoulder shot that captures Johnny's kingsize dick as it spits its goo at Charlie. This is a masterful, white-hot scene. (Pre-nom Best Sex Scene.) The four that follow don't live up to this, but that is certainly forgivable. The scene that comes closest is the Caleb Andrews/Adam Barrera pairing: very good oral work, great photography, and Adam jizzes while Caleb fucks him. Caleb turns up again in the finale being tag-teamed by LFC's sexy, superhung Alejandro and Viper. Clarke's movies generally do not feature scenes of such roughness (and it's really not that rough), but Caleb seems built for it and his tops are great to watch.