A hot idea, a nice mix of new and familiar faces, and a steady directorial hand make this one a treat. The "tight places" include a stuck elevator, where office worker Steve Regis (who obviously spends lunch hours at the gym) gets naked and sweaty with blue collar Brock Maxon, the strong, silent type; a ventilation shaft, where married stud Cole Phillips (another gym regular) gives in to oral advances from this coltish coworker Damian; a phone booth in an alley, where try-anything Steve Kennedy seduces a blond painter Danny Sumemrs all the way out of his overalls (a highly athletic and superhot scene that could make phone booth sex a new fetish); and everybody's favorite, a back-of-the-bus bathroom, where Doug Niles makes his gayporn comeback with newcomer Dean Pike.

Even the more musclebound members of the cast turn out to be surprisingly fle4xible in tight spots, and the confined camerawork and sets are pretty convincing. I only wish director Josh Eliot had squeezed each scene for more build-up and suspense. There's an effort in that direction, but it's undercut by slow editing and hasty seductions. (The phone booth scene is the exception, thanks largely to Kennedy's wicked tongue.)