Released | Dec 01st, 1992 |
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Running Time | 66 |
Company | Falcon Studios |
Cast | Paul Bain, Cliff Parker, Chuck Hunter, Steve Cody, Alec Campbell, David Montana, Aiden Shaw |
Critical Rating | AAA |
Genre | Gay and Bi |
This may be Falcon's 81st videopac, but it's all about the number 88. That's because Falcon's director has taken over a piano factory and all scenes leading up to the finale take place in and around its workshop and showroom. Unfortunately, the only one of four scenes that really has heat is the finale, in which sexy newcomer Chuck Hunter puts on a formal concert, and his skill with the ivory keys carries over to a soft and dreamy lovemaking session with B.J. Slater.
This is not to say that the first three scenes are losers. They all have stand-out elements, but none of them click. In the first scene, Aiden Shaw and David Montana ask Australian sex good Alec Campbell to help them move a piano. Alec could probably move the piano just by LOOKING as it. He's that hot. In case your customers think he seems familiar, it's because he used to be "Hogan Maloney" in Kristen Bjorn's Australian productions. The ensuing threeway sex is weak, however, because David Montana (introduced in Falcon's Hot Pursuit) simply doesn't look interested.
Subsequent pairings of Bain with Parker and Cody with, again, Shaw fare little better. Steve Cody is mysteriously doctored with some sort of miracle grow scalp tonic halfway through his scene, because his thinning hair gives way to what looks like a short cropped black afro somewhere between the oral and anal sequences. Very odd.
The Hunter/Slater scene is shot on a heavily draped set with lots of diffuse lighting. It's extremely pretty to look at and Stater's dick has never looked bigger. The sequence is incredibly pretty, but reigned in by a classical music score that blocks out the live sex sounds until late in the scene.
Overall, the video leaves one with the feeling that there was an interesting story somewhere that never made it to the final cut. The "piano" theme is so oddball that it begs explaining. There are no more than six or seven lines of dialogue in the video and none of them effectively set up the location or the situation. This is not one of Falcon's better productions for '92.