Paul Morgan's on-screen image is made to order for the gonzo genre, curiously non-existent on the gay side considering the tremendous success of its counterpart in straight porn. Morgan's new Raw Meat line should change everything. In order for a series like this to be successful there is a need for the right front man, and Morgan is more than right.
Morgan, a self-described anal hitman, drives around in his car and looks for sex, with Mr. X, his cameramen, in tow. He finds plenty. The situations have a fresh, unrehearsed quality that works well with Morgan's seemingly endless flow of verbal observations. The tape is comprised of four tableaux. First up is Anal Stakeout, with Morgan as part of a surveillance team that exposes Kody Fields as a cocksucker at a loading dock for truck drivers. A Day In The Park has Morgan meeting Leo Masters and paul Carrigan, who toss a football around the park before going off to a secluded spot to fuck. So You Need A Jump has Morgan jumping Winston Love's battery and then jumping his ass. Where The Fuck's My Espresso features Morgan and Colon Jammings verbally and physically abusing their waiter, Brad Hanson.
All manner of objects (a zucchini, a turkey baster, a flashlight) perform double duty as anal insertion devices, generally with comic overtones. A trompe l'oeil cumshot squirts what appears to be frosting all over Morgan's face and into his open mouth in a hilarious scene that is the icing on a very rich cake.