Mickey G. offers a couple of very convincing performances in Rough Sex 2, one a scene with Kelsey Heart; the other with Amia More. Perhaps too convincing where Mickey comes off as the certified boo-hiss bad guy. There's a third scene that takes place in a warehouse with Mickey and Regan Starr that never gets off the ground. This is the one that Starr called a halt to and the one which we interviewed her about. We talked to Mickey and got his take on the whole rough sex flap.
Mickey: "I think what helps me a lot with this is the fact that I've been on the bottom before myself [getting some shit kicked out of him by Kym Wilde in the On the Edge series]. I connect with the girls going through it. Regan knew she was going to 'eject' but they went through the first part of it anyway. They wanted to film her hitting the 'eject' so we just took her part way. I remember when she broke down that day. She immediately grabbed a bottle out of her purse and started taking pills. I had no idea that she had a medical/psychological condition nor did she let anyone else know. She really fell apart.
"With this stuff, there's pleasure/pain and we were very loving to her. Afterwards we were hugging her. Even before that, she was being very sexual and very turned on and horny. But with that little bit, what flashed through my mind is that we must strike something horrible from their past or childhood that a girl falls apart that badly. Something rings a bell. Maybe a past boyfriend beat them up. I think she said that, too, that a boyfriend beat her up in the past.
"There was another girl that hit the eject, too - a cute little one that gives the really sloppy blowjobs [Anastasia Blue]. Sometimes these names are a blur to me. She became disturbed after that.
"My take on it, personally, is that I met several girls in my private life that loved to be dominated and become slaves. You know how to take it to that edge without actually causing trauma that will make them end up in the hospital. I was an ER nurse, a trauma nurse, for 18 years. I worked emergency room and critical care, so I know the extent of trauma the human body can take without causing damage.
"But the psychological damage is a whole different story. Kelsey Heart was great. She was really riding the edge. What I equate this to is Demi Moore in G.I. Jane not ringing the bell when she was going through pure hell. With each of these girls we make sure we have an eject button where they can ring the bell. There will be several times where I get close enough to the ear and just do a little check to see where they're at, if they're fine, and want to keep going or want it harder or softer. I know that there is a threshold where the pain releases an endorphin in the body. When you mix that with the pleasure of sex, it's a really altered experience from pure pleasure or pure sex.
"I enjoy being able to take the girls there, the girls who enjoy going there. Hopefully, we don't cast any girls that don't know anything about this. It is a specialized experience. It has to be a learned experience."
G. Ross: "Patrick Collins has an interesting idea. He suggests that even before a woman gives her consent to doing a video like this, she be shown actual footage depicting what she'd be required to do."
Mickey: "I agree. When we went to Japan, Missy went through something that would probably blow this rough sex stuff out of the water. She had a Japanese master where they dripped hot wax on her and whipped it off with wet towels. They showed her a video of it first before we flew over there. So that's a great idea. That's an excellent idea.
"The producer/director, Kahn Tusion, is the one that does the preparation. He's canceled five jobs on me in the past just because he'll grill the girl and talk to her, but if she gets there and decides she can't do it, he'll cancel the job. But I'll suggest to him that they look at the footage and see how intense it is."
G. Ross: "Particularly that scene with Kelsey Heart."
Mickey: "Kelsey really fell in love with me on that one. I was her man after that. There's an interesting psychology to that. You develop an extreme trust..."
G. Ross: "I suppose it's that whole hostage theory taken to the next step."
Mickey: "Yeah..I've seen some movies like that, too. The rough sex takes me to where I have to flip a switch somewhere along the way, when I start out with dominance."
G. Ross: "Is there a risk of getting carried away and going too far where you push your own buttons?"
Mickey: "Not myself, I know a couple of the other performers that say they do. I myself don't. I feel I'm riding that edge, but I know what each blow I deliver feels like. I've received them. Maybe that's a key, too. I can actually breathe with them and know what they're feeling. I know the point where they go start to go numb and you've reached this threshold where they can ride it all the rest of the way out.
"The very first wild and crazy thing I did was with P.J. Sparxx and Jill Kelly. They had to lock it away or burn it. That's when Missy and I first started and they dominated us. It was for Mark Carriere. I think it was too extreme where it never came out."
G. Ross: "Do you think this will begin a trend or does Anabolic seem to have the franchise cornered with others being reluctant to do so?"
Mickey: "It may start a trend, but I don't know if we can find it here. I'll tell you, it's extremely difficult to cast for this. Now with the Internet, adult content has become decentralized. I noticed that at IA 2000. People far from our neighborhood are beginning to produce content. Maybe some specialist with this kind of material will put something out there for the Internet. I know there's a few people out there hoping to broadcast or produce this content for the Internet.
"I've had so many people come up to me that have really enjoyed this stuff. There are others who don't understand it, but the ones that are into it are really into it. A lot of girls like Kelsey will tell other women if you're going to do this, have Mickey G. do it. I guess they trust me. But it's not like doing a normal scene where you're doing gonzo and leave. There's a whole different energy. It takes a little bit more out of me, energy-wise. But I think it's therapeutic for both parties involved in some ways. But it's something you can only do once. I remember Kelsey saying after that scene she didn't think she could go through it again. A lot of times they're holding back in their own minds - their feelings or what they really want to say.
"There's a small amount of acting involved, but there's also a lot of reality. There's real pain being delivered. It's definitely not vanilla."
