Georgia Jones is featured in the March 2020 issue of AVN magazine. Click here to see the digital edition. Photos courtesy Vixen.com.
With her large, expressive eyes and Mona Lisa smile, Georgia Jones has a way of making eye contact that is at once forthright and flirtatious. And she’s been seducing fans with that look since 2006, when she first performed on camera.
But late last year the veteran performer really shook up her fan base, booking her first boy/girl scene after 13 years of solo and girl/girl scenes.
Jones knows that some of her followers won’t love the direction she’s taken. “I have a lot of fans who will be really upset, but it’s something I’ve always wanted to do,” she says.
Her first foray into boy/girl was a class act all the way. Released on Vixen.com and directed by AVN Hall of Famer Laurent Sky, the scene paired her with AVN Award-winning male performer Mick Blue. In the scene, titled “Vivid Imagination,” Jones plays a model who draws from her imagination before she begins posing. On a boudoir-inspired shoot, she’s swept away by her fantasies.
“This is my very first one. ... It was definitely different. It was a big leap. I loved it. I had a lot of fun. A lot of my fans are upset, but a lot are ecstatic. So it goes both ways, you know?”
Doing her first boy/girl for Vixen was a no-brainer given her relationship with longtime director Greg Lansky, who created the imprint (though he has since sold his shares in the company). “Greg and I have been friends since back when he was shooting We Live Together [for Reality Kings] ... back in the day. So he and I have talked on many occasions when we’re just shooting the shit, catching up, and he has mentioned to me many times that if I was ever going to do boy/girl, please let him and his company be the ones to offer me a bid. ... He’s a good friend of mine and we worked together for many years. I trust his opinion and I know what he shoots is going to look fantastic. He treats his girls right. I know he does.”
And Jones was happy with her scene partner as well. “Mick was my first,” Jones says. “Mick’s amazing. I love Anikka [Blue’s wife, and AVN’s 2015 Female Performer of the Year]. I got to work with her years ago. I’m getting to work with both of them. They’re an amazing couple. Porn power couple. They’re so cute. I love both of them. They’re both just such professionals.”
Jones says she has always made career moves at her own pace. She spent almost a year doing solo work only before making the leap into girl/girl. And then, she says, she gave girl/girl fans a dozen years before deciding to move to boy/girl. “There were so many fans who were so appreciative of that it was hard for me to transition away.”
Jones emphasizes, “I love working with girls. That will always have a special place in my heart, and I will continue doing that. But I always wanted to get better roles in movies, and the better roles are always given to the girls who do boy/girl. I think that now being able to do both is something that’s really going to make me happy.”
Plus, she adds, “It’s also good for business." Not only does boy/girl work pay better, but Jones also notes it’s good for selling her own content. “I do really well now as it is, but I know that ... shooting boy/girl I would be seen by that many more people. A lot of free advertisement for my content—a lot of people who will subscribe to my OnlyFans once they see me on Vixen.com."
A Wild Ride Begins
As for what she enjoys sexually in her own life, Jones says, "I’m not just gay, I’m not just straight. I’m very open. And I’m polyamorous as well. People think it’s a difficult thing to do, like I’m juggling multiple people in my life, but that’s not how it is at all. The people that I become connected with, they are connected with other people as well, or they’re also connected with the people I’m connected with. ... It’s more like the more the merrier.”
Jones’ sexual openness precedes her time in the adult industry. “My high school sweetheart was a girl. I’ve always been open to everything,” she says. And her eye for the ladies is what drew her into porn, albeit by happenstance.
It all started around Halloween in Tulsa, Oklahoma, which was where the Louisiana native was living in 2006.
“I was there dancing, stripping,” Jones relates. “Some girl came into the club. ... She was there with a bunch of guy friends.” The girl wanted to leave and go to another club where the Girls Gone Wild bus was parked on one of its titillating tours of the American heartland. The girl‘s friends wouldn’t go, but Jones did. “She was really cute and I told her I’d go with her. I really was more hitting on her. I didn’t care about Girls Gone Wild. It wasn’t even on my radar.”
So once they got to the other nightclub, the two girls were invited on the GGW bus and offered hats in exchange for flashing their tits. “I was like, ‘No, no, no—that’s not how it’s going to work. You’re going to pay us if we’re going to flash our titties.’” Jones demanded $50 and the GGW guys threw down the money. Next came “Flash me your pussy,” with the ante raised to $100.
Jones went for it, but her companion “freaked out and ran off the bus. She just left me there.” Jones stayed and followed the money. Soon she had talked them up to $600 for a solo (after a call to headquarters to clear the price).
“I masturbated there in the back of the Girls Gone Wild bus. and that was my very first scene ever. It’s still in circulation, man,” she says, laughing.
That solo kicked off a sequence of events that eventually led Jones to Porn Valley.
“About two weeks later I got a call from them. ... The first thing they invited me to was to go down to Cabo with Joe [Francis] and I was like, hmmmm, I don’t know. I don’t think so. Something inside of me said it wasn’t a good idea. Thank god I didn’t go,” Jones muses.
Instead, she took an offer to work as a GGW booth babe at the Computer Electronics Show in 2007—“six blond girls and me.” They decided to check out the AVN Adult Entertainment Expo, which was then held at the Sands during CES. “I don’t get very far,” she recounts. “This guy with a long gray ponytail walks up to me, hands me a business card and says, ‘How would you like to be in Penthouse?’” Jones didn’t buy his line, but she took the card and tucked it in her purse.
Then Mother Nature intervened. While on a layout in Denver on the way back to Tulsa, all flights were canceled for a week due to a massive blizzard. “So I’m going to be stranded in Denver,” Jones recalls. “Back then I was stripping and I made good money, but I also did not save any. I didn’t save a dime.” A check would be coming for the work at CES, but until then, she was stuck. Looking for some change to get something to eat, she ran across that business card—and made a call. The pony-tailed man suggested she return to Vegas and drive with him to L.A.
“That guy ended up being my first agent. John Steven of Matrix,” she reveals. He introduced Jones to Stephen Hicks, Earl Miller and other glamour photographers. “By the time I got to L.A. with him I realized he was legit. My mind was blown. ... I went back to Tulsa and packed up all my shit. Seriously, I broke my lease and just moved out here a week later. It’s a crazy-ass story, right? Totally random.”
An All-Girl Star Is Born
Spending almost her entire first year strictly doing solo work, Jones finally upped the ante to girl/girl. “I had so much work still doing only solo I was having to balance it and girl/girl. Back then solo was huge. You rarely hear of solo anymore, but solo was a big thing back then.” And that was the start of almost 13 years of girl/girl work.
Her first scene was supposed to be with Jana Jordan. “She was my girlfriend at the time but something happened,” so Jones shot with NinnWorx contract girl Renee Perez for House of Perez. “It was her showcase. It was beautiful,” Jones says.
After that, she became a significant figure in girl/girl erotica, garnering multiple AVN Award nominations. It was easy to stay in the genre because of the fans. “I was going to hold out [from shooting boy/girl] for four or five years until I’d made a name for myself. And after that it seemed I’d cornered a niche,” she says.
At her 10-year anniversary she did her first girl/girl anal. Then, toward the end of the summer in 2019, she began to think about her next step: “I needed to do something else.”
It wasn’t having sex with women that wasn’t satisfying. Rather, she wanted to reach out to a new audience. She felt that many viewers were satisfied with lesbian sex on camera that was shot for the male point of view. “And I’m just over that,” Jones asserts.
She also criticizes those who wring their hands when girl/girl performers decide it’s time for a change. “The ones who are all upset about it, it’s ridiculous. It comes from this idea that women are somehow ruined by a penis. You know, they’re like, ’Oh my precious sweet angel, you’re now tainted.’ It’s so stupid,” she says, and it suggests that “women shouldn’t be open with what they want sexually.”
Jones complains, “People think you’re only doing boy/girl because fans want you to, or the industry is harping on you, or you need the money—this or that. That’s not true at all, and I’ve said that for years. People actually went back and found some of my tweets to back this up. ... I’ve been saying for years that I wanted to do boy/girl. ... I was bored doing only girl/girl. I love it—it will always have a big place in my heart—but I was bored.”
Asked to elaborate on her favorite girl/girl work, Jones doesn’t hesitate to mention Stills by Alan, aka Alan X, who is currently shooting for GirlGirl.com. "Alan and I had been friends for a decade,” she says. “Then he started shooting girl/girl with Girlsway. He killed it, he knocked it out of the park. I truly believe it was because he cared about the lesbian scenes. Whereas most directors, they don’t care about the girl/girl scenes. It’s not their thing; it’s not their cup of tea.” She elaborates: “I think my acting got better working with him. ... He would take the time to get the best shot possible. ... He would sit there and go over the same shot with me over and over and over again.”
Her favorite Girlsway project was titled “Cheaters Always Squirt” and featured Jones in a scene with Sinn Sage and Karla Kush. “The first one with me and Sinn, it’s kind of an office type of scenario. She’s my boss ... she seduces me in the office. And later I get back at her when she invites me to dinner at her house and I seduce her wife.”
Jones exults, “It was such a great day. Both of those scenes were just amazing. ... I did not know I had that in me and it was because Alan pulled it out of me.”
For more Georgia Jones, visit BadGirlJones.com or follow her on AVN Stars.
