CHATSWORTH, Calif.—Innocence Bound, the spin-off series to Digital Sin’s critically acclaimed and best-selling Innocence of Youth line, is now available.
"Purity and vulnerability are the themes that have made Innocence of Youth a huge success for Digital Sin. We took that and added the intensity of BDSM for Innocence Bound," said Belle Casten-Taylor, media sales director for Digital Sin. "We couldn't be happier with the end result. Eddie Powell did a phenomenal job of creating a familiar, yet unpredictable atmosphere that will thrill 'Innocence of Youth' fans and entice new consumers looking for a fresh take on bondage and submission."
Helmed by multi-award winning director Eddie Powell, Innocence Bound presents four darkly stylish and provocative vignettes, starring today's up-and-comers: Marley Brinx, Karlee Grey, Mia Pearl, and cover-girl Rachael Madori.
A bold mix of BDSM and "Lolita" fetish, Innocence Bound showcases the submission of four of the industry's most popular newcomers, handpicked for their ethereal beauty and ability to portray living dolls. Donning "Sweet Lolita" dresses with frills and giant bows, they submit to their owners for pleasure, reward, and/or punishment.
"I loved the concept of these innocent girls being totally ravished. I think it's absolutely sexy and carnal," Rachael Madori said. "My male talent was Bruce Venture and he is a huge reason my scene came out so well. It was a really passionate and energetic scene. Also, working with Eddie Powell is always great. He brings out the best in me in photos and video. Overall, I think this entire movie will be loved by all my fans and I can't wait to see everyone's reaction on my scene."
Innocence Bound has a runtime of 135 minutes and includes an exclusive photo gallery, a candid Behind-the-Scenes featurette, and two bonus scenes. Penises are provided by Bruce Venture, Erik Everhard, Ramon Nomar, and Xander Corvus.
To view the trailer for Innocence Bound, click here.
To read Rachael Madori's complete thoughts on Innocence Bound, click here.
