Malorie Marx sits on a staircase landing, shirt open, as Nacho Vidal walks up, starts to finger-fuck her, one hand on her throat as she moans. He feeds his pussy-wet fingers to her, stands, offers her his dick. She ravenously takes it. No dialogue yet, all moans and whispered murmurs. He teases her with his dick, pulling it out of her mouth, slapping her, holding her mouth open, saying "You want me to fuck you in the ass?" He stands her up, turns her around, slaps her ass, rubs his dick on her ass. Opens her shirt, grabs her tits, kneels down and buries his face in her ass as she moans. No detail, no C-light, just the back of his head and her writhing in pleasure. He fingers her, she reaches back, spreads her ass, he shoves his cock in her pussy. She moans. He goes faster, she moans more. "Oh yeah. Oh yeah. Fuck me." He walks her up the steps, fucks her doggie-style, she starts gobbling his big toe. Then he puts his foot on her head as he fucks hard down into her, as she yells "Yes! Yes! Yes! Fuck me harder!" He does. The scene keeps going for half an hour, never slowing down, and when he pulls her head up to suck his dick as he comes, the feeling of release is felt by the viewer.

Four more scenes follow, with passion and an edge. Sabrine Maui with Ben English; Sabrina Snow and Nacho again. Mandy Bright with Ben English and Mark Ashley (with d.p.); for a finale, we follow a trail of discarded clothing to find Taylor Rain and Nacho, him seated, her kneeling in front of him, sucking him, then howling as he finger-fucks her, before they go through the entire repertoire, including the doggie-fuck-with-foot-on-head-and-toe-suck and the novel use of a bra as a restraining device, a dick-and-butt plug d.p. and some A2M, just for the hell of it, before the facial finish.

Hot stuff, well shot and well-captured. Recommended.