Question: what do you do when you have a bunch of leftover scenes that have absolutely no relation to one another? Answer: you slap them together, throw in some narrative and title the production Midnight Dreams. The first scene features Valeria and dark-haired newcomer Vince Vouyer in a luke-warm and excruciatingly contrived coupling. This sets up the basic premise for the theme as, by the end of the scene, Valeria wonders aloud whether it was all just a dream.

After some gobbledy-gook about dreams and Freud spoken over shots of crashing waves (a device that reoccurs between each of the scenes), the tape cuts to Heather St. Clair and Vince reversing roles on the casting couch. She plays a casting director to his actor, and when he tries to walk out on her, she forcibly pushes him onto the divan and takes control of the situation by blowing and riding him. The vid's sole highlight stars big-titted Brooke Dunn having dinner with Gerry Pike at a posh restaurant, but having trouble trying to get their waiter's attention. Failing to do so, they decide to see what they can get away with without being discovered: Brooke blows her Aussie boyfriend under the table; then it's time for the floor show as she spreads her legs straight and wide for Pike.

Valeria returns in a rather short jail scene that begins with some self-diddling. When cop Sam Cooper finally comes around, Valeria brings his head to her crotch with her ankles for a dose of head. In the final scene, T.T. Boy and Tayna Storm work out their marital difficulties with a so-so anal fling. The lukewarm sex, highlighted by the Dunn/Pike matchup, plus so-so production values, leave this a below-average outing. A decent boxcover featuring Valeria in black bustier should manage to attract customers.