Melanie Moore is assigned by T.T. Boy (no sex—just a requisite male presence) to do an undercover exposé of an outcall girl racket, which caters exclusively to women.
The intended humor has Moore showing up for her first day of work dressed like an Academy Awards presenter, whereas the practitioners of the world's oldest trade dress like Sunset Boulevard troubadours, as would be expected. Moore is broken in real quickly when agency head Veronica Sage samples her wares, and Mel reciprocates by teething Veronica's panties off her ass. A nice scene, albeit a "polite" one in some respects.
Script logistics place hookers Krista and Heather Lee together for some mutual titty sucking and the traditional pube-to-pube linkup with the twin-headed dildo. The requisite literary flashback has hooker/English Lit. major Kaitlyn Ashley recounting to Moore how she got in the biz, all of which sets the table for a mild, blindfolded S&M session with Isis Nile, who plays dance of the nine-tails on Kaitlyn's pert white breasts with a whip. The scene progresses to the classic lesbo move — the intercrotch leg scissors lock.
Strap-on doggie sex highlights Kaitlyn's time with Krista, and Melanie, who, by now is really into her undercover role, has a romantic, touchy-feely encounter with Deborah Wells.
Well-lensed, one of the distinctively added pleasures of Kittens 5 finds the cast well-rehearsed, delivering their lines facilely and flawlessly. A tad below the "nasty" scale as maniacal all-girl sex goes; this feature, nonetheless, affords the viewer sumptuous female eye candy. A classy boxcover to boot.