Alchemy is an amateur producer of flashing videos based in Sacramento, California. Their M.O. is to follow first-time local girls around town with a shaky camera, capturing various Kodak moments of exhibitionist titillation.

The best of their four new releases is Wet, starring C.J., a frolicsome Phillipino filly, and Zena, possessor of a wondrous, Shakespearean pair of jugs that seem specially created to withstand the slings and arrows of outrageous fortune. First, C.J. and Zena try their best to bring back nudity, free love and other cultural highlights of the '70s at a local Carwash (sans Richard Pryor). Keeping with this '70s theme on the car ride home, they question authority, get it all off their chest, and open their legs to new experiences. "Keep on truckin'" segues into "keep on fuckin'" as they arrive home to strip down and do what comes naturally (to each other).

Like '70s rock group KISS, each of these vixen also takes a stab at a solo effort, but they invariably fail to capture the manic energy of their duet. In First Flash, C.J. communes with nature at the zoo and in a park. Her schoolgirl get-up (plaid skirt and virginal white blouse) is a pedophile's wet dream. While her pubic exposure is public enough, she plays it safe too often to appease those who, like myself, find the chief thrill of flashing to be in the element of danger provided by gawking bystanders. Flash Transit, Zena's journey to the mall in a loose-fitting sundress, is a similar exercise in hide and peek, though it fares better overall because of those Nobel-worthy tits of hers.

Flash Expo introduces us to Sara Miles lookalike Sassy. Actually, she only wears Ms. Mile's face, while her body is a far cry from that actress' anorexic frame. Sassy's muscular thighs and ass are the very definition of red-blooded Americanism. It is therefore appropriate that she chooses as her flash-point that icon of midwestern wholesomeness, the state fair. Sassy provides plenty of peek's and boo's on the haunted house ride, while on the ferris wheel, she proves that what goes on, must come off.