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All models were at least 18 years old at the time of their performance. 18 U.S.C. 2257 Record-Keeping Requirements Compliance Statement.
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Rating

Synopsis

Rocco\'s legions of fans will rent/buy anything with his name on it, so you know what to do. Several copies in the usual places.

Reviews

Rocco is only in one of three scenes, but what a scene it is.

With hot help from the sumptuous, strap-on wielding, semi-dominatrix Catherine Count, Siffredi utterly ravages two Euro-fillies, forcing them to deep throat him until the tears run and the saliva flows, then fucks their asses while Count does the same with her fake phallus. Employing his full bag of nasty tricks (face slapping, saliva drooling, nose pinching, etc.), Rocco then mauls Count's bum and blows on her face. The scene's sexually demented energy, as exemplified by the girls' agonized, ear-piercing moans and groans, is as wildly blistering as anything Rocco has ever done and is well deserving of a pre-nom for Best Grouper.

Unfortunately, the tape's two remaining scenes pale in comparison.

The opener, in which Rocco protégée Manuel Ferrara (armed with hardware and - shades of Bruce Seven - lots of glistening oil) fucks three more cuties poolside, never quite catches fire.

The closer, meanwhile, has some pretty damn energetic moments as Ferrara fucks and sodomizes Orsoia - a lusty, naturally giant-jugged thing - in a factory while the workers stand around watching. The scene runs into turn-off trouble, however, when the workers - some of them old enough for the nursing home - start giving assists. Really, who wants to watch Grandma Munster suck cock? At scene's end, a bunch of young studs arrive and j.o. onto Orsoia's globes and those of a pretty, less well-endowed babe. Whatever. Despite Rocco's willingness to try something different, the scene adds up to less than the sum of its parts.

All in all, not the strongest entry in the Animal Trainer line (which took home AVN's Best Continuing Video Series honors in January), but most definitely worth the price of admission for that take-no-prisoners second scene.



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