Sindee Coxx has astounding breasts. Enormous round mounds of flesh, they beg to be tongued and squeezed. Mia Smiles is equally breathtaking, an exotic beauty with a come hither gaze. Casting these two as lovers is a stroke of genius. Director Roy Karch is to be applauded for his ingenuity, particularly in the opening sequence, where Coxx and Smiles share a bath. The water is hot but the women are steamy.

Karch's story concerns ex-boyfriends, old friends and new friends, tangled up in the complexities of relationships. Coxx is a dancer who once dated Chris Cannon. Smiles is the new lover feeling neglected when her sweetie goes on a road trip to Dallas. While Coxx is away, along comes Cannon, to drop off a few things Coxx left behind at his place. Romantic escapades ensue.

Kyle Stone dominates Samantha Sterlyng in a sequence nearly as intense as the opening. Down on her hands and knees, crawling across the floor and shaking her ass for Stone, Sterlyng is both obedient and demanding. She does what she's told and she gets what she wants.

Dark and sultry Lola gobbles up Rod Fontana in Smiles' den, while Smiles shows Cannon the rest of the house. Naturally, they finish up in the bedroom. Lonely and horny, she coaxes Cannon into bed, and discovers Coxx was telling the truth - he really does "fuck like a stallion." Squirming and baring her teeth, Smiles is a marvelous sex monster. Her back arches with each thrust and she thrashes around like a woman possessed.

At the moment of orgasm, who should arrive home unexpectedly? These are the days of our lives....