Five real-time outdoor gonzo scenes featuring James Deen as talent and hand-held cameraman.

The first disc starts with a handheld shot of Ava Addams in a desert saying, "We're in the middle of nowhere," and Deen responding, "I don't know if I can see you, I can't see the screen." Just in case the camera can catch it, she pulls her shirt up over her boobs and then takes off her shorts, leading Deen as their shoes crunch through the rocky sand. There is wind screwing up the sound and the camera wobbles, but it doesn't matter because there is a reality here that a staged scene on a set can't touch, and when Deen says, "I'll follow you wherever you go—you're walking around outside without pants on and with your tits out," she says, "I love it," and so does the viewer because Deen has that everyman quality, and hey—it could have been you out there instead of him, you never know.

She leads him to a dry arroyo as his camera examines her while they chat ("I'm not even a boob guy, I'm a butt guy, but for some reason your boobs drive me wild") and then the dirty talking moves on to the fingering ("I want to see you cum") as the camera roves from her face to a long shot to a POV blowjob as he eggs her on ("Be slutty for me") and takes her doggie-style as she leans against the arroyo wall. They goad each other with dirty talk and eye contact, with the best perspective he can get for long shots until he finally blows in her open mouth, the wind catching the spurts and Addams catching about half in her mouth—the rest is still in the desert somewhere.

Petite blonde Amy River is up next, first indoors, then outdoors on a balcony overlooking the sunset horizon. The night-vision on the camera makes the invisible visible, but kinda green. Soon she's wrapping her hand around Deen's cock, and then follws her hand with her mouth as he gasps with pleasure, encouraging her to go deeper. He pulls off her pants and she climbs on his cock as he grabs her ass (the camera must be on a tripod) and turns her toward the camera. The quiet gasping and night-vision images give the real feeling of a surreptitious sneak fuck right under the noses of the neighbors. A surprisingly hot scene considering the shortcomings of the visuals, and it gets even better when they go inside where it's light and Deen gives her a serious workout. A very impressive scene. With luck, Rivers will stick around.

Deen drives with Holly Heart in the passenger seat, fingering her pantiless pussy and inventorying the times they've had sex off camera. Soon, they're in a public park until the discussion about the times she got d.p.'d gets her horny enough to invite Deen to finger her. After a quick retreat to a secluded place, she's sucking him, giggling, "The grass is tickling my vagina." Soon he's tickling her vagina with his cock, with the camera on the ground and both of them scanning the horizon, and when he says, "I can see people coming," they retreat to his car's back seat to finish the scene.

The second disc has Deen behind the wheel again, calling Jessie Parker. She jumps into the passenger seat and grouses that she hasn't slept in three days because she was in a dance competition. While they chat, she says her hobbies are "having orgasms ... putting things up my butt" until they find a place where they can hike ... with her pants pulled down to show off her ass. They look around for a place to have sex, and finally find a secluded area where she can suck him, but not secluded enough, so a quick cut puts them in her bedroom. A real-time scene follows with the camera locked off in the corner of the room. The static camera makes it impossible to edit, but the action keeps the eye interested, catching her satisfied smile out of Deen's range of vision and bringing her close to catch the facial finish.

The final sequence involves Deen picking up Dani Daniels at a train station. When she sees him, she says, delighted, "Look at you in your big lesbian truck!" This leads him to tell the joke about lesbians and U-Hauls (and get it wrong). He drives with one hand and fingers her clit with the other as she squirms, then she opens his pants and blows him while he drives and complains, "I need more hands. I can't drive, play with your ass and hold the camera at the same time." Moving the camera to the dash frees up his hand, letting him fiddle with her ass as the seat belt alarm bongs away. This sequence continues for quite a while and includes her climbing onto his lap and fucking him while he's driving, leading Deen to observe, "This is fairly dangerous." Safely pulled over at a rest stop, they continue to tease each other at a picnic table until they finally connect and Deen goes straight to her expressive face, zigzagging between her face and the fuckpoint. The scene adjourns back to the lesbian truck with Daniels holding the camera ("How do you guys shoot porn? My arm is tired!") as they joggle along a dirt road to a secluded spot where they can finally finish the scene.

Maybe a little long, but life happens in real time. And the real moments (like Daniels' irritated squeak when Deen removes her shades in mid-blowjob, and his immediately replacing them) are what make this DVD something out of the ordinary.