|Released||Feb 14th, 2012|
|Running Time||143 Min.|
|Distribution Company||Combat Zone|
|DVD Extras||Behind the Scenes, Bonus Scenes, Still Gallery(ies), Trailer(s), Widescreen|
|Cast||Georgia Jones, Dylan Ryan, Lily Cade, Ela Darling, Charlie Ninja, Brett Rossi, Lola Foxx|
Lily Cade explores the who's-in-charge-here dynamics of lesbian trysts in this taut four-scene opus.
When Hollywood executive Ela Darling interviews Dylan Ryan for an assistant position, Ryan flips her Dennis the Menace bob out of her eyes and locks eyes on Darling, snarling, "An assistant is your bitch. I make a good bitch."
Intrigued, Darling plops her Jimmy Choos on her executive desk and says, "You have to start at the bottom."
Ryan crawls across the desk and starts at the bottom with a foot massage and some toe-sucking, ripping apart Darling's pantyhose to get to what she wants and clearing the desk to provide a horizontal surface. Who's on top? Who cares? They both give as good as they get, although only one of them gets fingered to a squirting orgasm.
Leather-jacketed Cade struts into Georgia Jones' pad to drop off some leftover stuff now that they're breaking up, but they can't resist one final farewell fuck for the road. Cade shows real directorial audacity in this scene, keeping a pussy-eating sequence going for eight minutes with minimal camera moves and no change of position until a sated Jones leans up and kisses Cade's pussy-wet mouth, cooing, "I hate you," as Cade chuckles, "I know." Before the scene is over Cade dons a strap-on and gives Jones a thorough fucking.
Lola Foxx and Charlie Ninja meet cute in an elevator—Lola's new in town and this is her first real apartment after living with her folks—and they inaugurate the new place in a harshly-lit scene on a leopard-print couch that looks like a video shot in the Boogie Nights era—in a good way.
Cade takes the anchor lap with Brett Rossi in a public restroom, wearing a suit and tie and telling Rossi she came in to escape an awkward conversation with an ex. Cade moves in forcefully on Rossi, kissing her as she weakly protests, "I'm not one of those kinds of girls."
"I am," Cade replies with a cocky grin.
In a matter of moments Cade has Rossi on the counter, tits pulled out of her low-cut top and Cade's fingers—and then her mouth—on Rossi's pussy, the action dutifully reflected in the bathroom's mirrored wall. (Anybody objecting "Who does she think she is?" and "Nobody's that irresistible" is invited to check out any gonzo release shot in the last 20 years and reconsider.) Cade's tongue and fingers inspire Rossi to be "that kind of girl" long enough to return the favor on Cade, flutter-tonguing her clit piercing before they start flip-flopping. Great use of the mirror in this scene.
Lily Cade is showing herself to be a force to be reckoned with as a director as well as a performer. She has a feel for the glee of hot just-for the-fun-of-it sex, and gets it out of her performers and into the camera.